The 15 Best Fonts to Use This Year

The 15 Best Fonts to Use This Year

2020 is going to be split right down the middle when it comes to font trends.

One one side, we’ll see the modern sans serif fonts that have dominated the digital space continue to flourish, and on the other, colorful and expressive ‘character’ fonts will become more popular with brands and designers alike.

“It’s likely that we’ll see brands rebelling against design trends and embracing more quirky alternatives to the geometric sans. Still, when it comes to the demands of branding, the geometric sans serif is undoubtedly a workhorse, and it’s likely to remain the popular choice for some time yet.”

Let’s take a look at the font trends that will define the next year, and learn from the best about how to choose fonts for your logo and brand identity as a whole. You’ll notice checkpoints along the way where we’ve demystified some of the font and design jargon you find out there. After this, you’ll be a design pro!


You may be interested in the following articles as well.


Geometric sans fonts

If the internet had its own handwriting, it would be a geometric sans. These are clean, utilitarian fonts that work well in both print and digital mediums, making them insanely popular with, well… pretty much everyone.

Here are a few of our favorite geometric sans fonts that will dominate font trends in 2020.


Helvetica Now

Helvetica is one of the most iconic fonts ever created. It’s a go-to for designers and brands around the world thanks to its simple, clean appearance, making it versatile across print and digital platforms.

Recently, the team over at the Monotype foundry released a revamp of the old classic, calling it Helvetica Now.

  • What is a foundry? The name for a design studio that specializes in creating fonts. It refers to the original foundries that created solid metal and wood typefaces for letterpress printers back in the day. Pretty cool right!

Giving Max Miedinger and Eduard Hoffman’s original 1957 typeface a long-awaited facelift for the digital era, the Monotype team used dozens of creatives, using keywords like ‘clear, legible, modern, and geometric’ to inform their design process. To make for a truly flexible font, they also added tons of different weights in the process.

“Helvetica Now opens up new perspectives for design because it offers significantly expanded scope in terms of both functionality and form.”- Markus Hanzer, Designer

Font Helvetica Now

Untitled Sans

Inspired by Jasper Morrison and Naoto Fukasawa’s “Super Normal, Sensations of the Ordinary”, Untitled Sans is the ultimate normcore font. Unassuming, inconspicuous, and beautifully legible, Untitled Sans is favored with designers particularly for headlines and continuous reading.

Part of the beauty of Kris Sowersby’s 2017 cult font is that it doesn’t draw attention to itself. In an age of relentless information-stuffing, sometimes things need to be completely flat to serve their purpose. You wouldn’t want a one-lane highway to suddenly start ‘expressing itself’ with creative bends and potholes just as you overtake a semi. In the same way, Untitled Sans reminds us that things often work best when you don’t notice them.

Font Untitled Sans


Public Sans

A public font for public digital space. Public Sans was created in 2019 as part of the United States Web Design System 2.0—a set of coding and design guidelines that make it easier for government websites to make websites that follow similar structures and speak a common visual language. (Yes, the US government has its own font now.)

Public Sans, which is completely free and open-source, was modeled off Libre Franklin and comes with additional weights. It’s a bold, no-nonsense font, similar to Helvetica Now in that it contains no elaborate counters, terminals, or other unnecessary fanciness.

Tip: If you’re designing a brand identity, it’s useful to think about the font in two ways. First, what function is it there to serve? And second, what character do you want to portray? Use simple, unobtrusive fonts for continuous reading, but feel free to get creative with shorter text like logos and headlines.

Public Sans


Expressive Sans Serifs

A ‘serif’ typeface has little tails at the end of each stroke. ‘Sans’ is french for ‘without’ – so a sans serif just means a font without those little tails. But sans serif doesn’t have to mean without character. 2020 font trends will see designers turn increasingly towards expressive sans fonts that add a little more flavor than their practical geometric forebears.


A soft, playful serif with a subtle edge. Based on the iconic Isidora Sans design, Latinotype designer Enrique Hernandex V softened up the terminals to create a more fun and friendly font, while retaining the bold headline quality of its predecessor.

  • What is a font terminal? The end of a stroke on a letter, like the foot of a P, or the end of an L.

Designed in 2019, Goldplay comes in 2 versions, each with 7 different weights from Thin to Black (AKA not so thin), making it a great example of an expressive sans serif font created to suit multiple mediums, including logos.

Expressive Sans Serifs



It’s a tradition of typeface designers to iterate on previous models, and Olivetta is no different. A powerful update of Antique Olive, Olivetta is a cheeky, retro statement font that includes a number of weights for different executions.

We particularly love the little counters in the “e” and “a”. There’s a cheeky, wink-like quality, which makes sense given that Olivetta was inspired by the ‘ironic’ typefaces of the last decade.

  • What are font counters? Fully enclosed letter holes, like o, e and a.

Olivetta also hints at a resurgence in retro-inspired fonts, specifically adapted for digital display, which we think will become more popular this year.

Tip: Fonts have their own flavor and character which can be used to reinforce your own brand identity. When designing a logo, choose a font that has the same personality as you and your business.

Font Olivetta



If you didn’t get the hint from the name, the style of this font alone might give away what inspired it. Fights. More specifically, Latin American wrestling and boxing.

Designed by Marce Moya Ochoa for Latinotype, there’s a dramatic, storyteller quality to this font that we love. According to the designer, the font best suits short and block text applications – like posters or billboards – thanks to its mix and match widths and weights. It also works great with logos, thanks to its stylistic alternates and original ligatures.

  • What are font ligatures? Where two letters are joined up into a single glyph, like an ampersand (&).

Font Versus



Madera was designed by Malou Verlomme in 2018 as a geometric sans with a little more originality and flavor. A real designer’s font, Madera works across both print and online, with sharp apexes and unique crossbar alternates that give it a powerful graphic feel.

  • What is a typography apex? The point of a character where two strokes meet, like the tip of an A.
  • What is a typography crossbar? The horizontal bar, or stroke, across the middle of uppercase A and H.

Madera is a great font for graphic posters, event swag, landing pages, and of course logos!

Font Madera


Sama Latin

All the way from India, Ektype foundry’s 2019 Sama Latin is a vibrant yet effortlessly cool font that could work well across multiple platforms. The rounded terminals complement crisp, cloud-like curves, giving Sama Latin a refreshing feel. (Does anyone else want a smoothie right now?)

Sama, which approximately means ‘natural ambiance’ in Hindi, is a vibe-setting, plump typeface with 6 weights, perfect for UX design and wider brand identity usage. Ektype are also worth checking out for their huge range of high-quality Indic scripts. Seriously cool!

Font Sama Latin


Trust Sans

Empathetic. Contemporary. Versatile. No, this isn’t the sales copy for your new companion doll. These are the words that informed designer Antonio Mejía when he was creating Trust Sans.

Specifically designed for big corporates who need to appear less ‘Sans Trust’, this is a friendly, approachable font packed full of personality.


Increasingly, we’re seeing big business get friendlier, with fonts like Trust Sans leading the way for a more empathetic style of branding that will continue to flourish in 2020. A great example being Trade Me’s rebrand a couple of years ago:

Font Trends 2020

Character Serifs

We’re calling it: these will be on top of the 2020 font trends. Foundries continue to craft versatile digital serifs, and brands continue to adopt them.

As companies like Mailchimp have shown, strong statement serifs with bold color palettes are becoming a huge trend for brand design. It’s only going to continue.

Mailchimp’s 2010 rebrand included a switch to Cooper Light, a move that was seen by many as the spearhead in a retro serif-digital fusion that continues to grow among brands.

Character Serifs fontHere are a few of the best character serif fonts to watch out for in 2020.


Inspired by Globe Gothic, Jazmin is another retro-revamp for the digital era. A subtle, knife-edge serif adds bite to a softer hippie undertone, giving Jazmin a truly unique feel. Suited for editorial headlines, short text, logos, and brand design, Jazmin is a hugely versatile font with 8 weights, plus a more playful counterpart.

Jazmin Font



Another great brand font for 2020, Breton is a geometric slab serif inspired by the city of Boston.

  • What is a slab serif? A serif typeface characterized by thick, block-like serifs.

Designed in 2019 by Daniel Hernández and Rodrigo Fuenzalida, Breton juxtaposes wide rounded characters and skinny non-rounded characters, giving it a unique rhythm that’s hard to place (is it elegant? Retro? British-style?). Ultimately, Breton’s unique personality makes it perfect for editorial and logo design – but it might not work so well for continuous reading!

Breton font



If Recoleta doesn’t make you immediately want to jump on your Vespa and grab a double espresso, then get outta here! Inspired by 1970s classic fonts like Cooper and Windsor, Jorge Cisterna’s Recoleta is a beautiful slab serif that effortlessly blends firmly planted serifs with expressively cool counters. It’s got a confidence that would be perfect for coffee shops, record stores, bars, and chocolatiers—to name just a few.

Recoleta Font Trends 2020


Financier Display

Financier’s aesthetic combines digital savvy with British heritage, building off Eric Gill’s original letterforms for Perpetua, a well-known serif. Originally drawn up for the rebrand of the Financial Times in 2014, Financier Display was created with both the broadsheet and the mobile screen in mind. Slick, authoritative serifs like this are a great choice for tech-driven brands and consultancies who are tired of the same old clean serifs that have dominated the last decade.

Financier Display


Take Beamery, for example, who uses a crisp serif on their talent platform.

Font Trends



Released January 2020, Moranga is another stunning modern-retro typeface, reminiscent of Jazmin. Similarly 70s inspired, Moranga took design inspiration from Café Brasil’s funky, flowing letterforms, and Cooper’s weighty, retro feel. A perfect font for brand identities looking to add a friendly flavor to an undertone of cool.

Moranga font



And finally, Cookery: a beautifully flowing, hand-drawn brush typeface with irregular baselines. Scripts like this are a really great way to add dynamism and enthusiasm to your logo, which is why you often see them used in vintage logos.

  • What is a font baseline? The bottom line on which the letters sit.

Cookery font



Increasingly, brands looking for the human touch in the digital age are moving away from purely geometric sans fonts. If you really want to get personal, a hand-drawn script font like Cookery is a great way to showcase the dynamism and character of your brand.

While these font styles probably aren’t suited for continuous reading, pairing them with other fonts is a great way to give your brand a character boost.

Pick the best font for you!

Choosing the right font can be daunting, particularly when there’s so many to pick from. However, this process doesn’t have to be about following or bucking a trend at all. Trends are just a useful way to see what big brands are doing with fonts. When looking at font inspiration, ask yourself these questions:

  • What kind of statement are they making with this font?
  • What’s the nature of their work?
  • How do you think the font correlates with their personality?
  • How does the font work within their space, and make them unique at the same time?

When in doubt, go with your gut, and pick fonts that suit the character of your brand. If you’re designing a brand identity, a good rule of thumb is either pick one font for everything, one sans serif and one serif, but very rarely two serifs – since they compete for attention.

Overall, font trends are less like strict rules and more like informative guidelines. Your brand is about you, and your font choice can reflect that. Still, it will be interesting to see what road brands choose to go down this year. Keep your eyes peeled for those retro serifs!


36 Outstanding free and premium Fonts for your next project

36 Outstanding free and premium Fonts for your next project

Free and Premium Fonts that catches everyone eyes in any kind of project, From brand identities and packaging to editorial pieces and website designs and application design.

These are fonts from some of the biggest type foundries in the world—although you’ll find a few options from the independents, too. Take a look and see which one is suit to your needs better and let us know in the comment section.

It’s been an incredible year for type lovers everywhere. With more independent foundries launching than ever before and the industry’s established names pumping out fresh specimens each month, there’s never been a better time to find the right fonts for your projects.

we’ve done a little research to uncover the top 36 typefaces that are proving popular with graphic designers and those we think will be a big hit in 2020.

From sans serif and slab to serif and display, we’ve thrown in some existing well-known fonts as well as brand new contenders – all designed to give your work that edge you’ve been looking for while maintaining essential clarity and readability.

You may be interested in the following articles as well.

1. Ambit

free font

CoType Foundry’s Ambit is an eccentric and unique sans serif font inspired by early grotesques but adapted for modern use. With seven weights and a distinctive look, it’s no surprise that we’ve seen it used for branding, packaging, and editorial projects, both printed and online.

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2. Plantin

An old-style serif named after the 16th-century printer, Christophe Plantin, this typeface was created in 1913 by the British Monotype Corporation for its hot metal typesetting system. Body text in Plantin has a rich texture and is ideally suited for editorial or book designs – though it performs perfectly well on screens as well. We’ve seen Plantin make something of a comeback in recent months and its growing popularity shows no sign of slowing.

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3. Futura PT

Font Design

Paratype’s new take on Futura is everywhere. Designed for the Bauer company in 1927 by Paul Renner, it’s easy to see why the uniform type system is proving such a hit with our design students. It consists of seven weights with corresponding obliques and eight condensed styles, all coordinated in letterforms, metrics, and weights, so they work better together.

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4. Untitled Sans

download free fonts

Untitled Sans is a plain neogrotesk sans based on the ideas of Jasper Morrison and Naoto Fukasawa’s Super Normal project. Throughout 2019, we’ve seen it pop up in many students’ projects. We can only thank Morrison and Fukasawa for bringing this brilliant typeface to life.

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36 Outstanding free and premium Fonts for your next project

5. FF Meta

Designed by Erik Spiekermann, FF Meta has popped up in quite a few projects at Shillington throughout 2019. The humanist sans serif typeface family was released in 1991 intended to be a “complete antithesis of Helvetica”, which he deemed “boring and bland”. It’s always been on our radar, but it’s been interesting to see it as one of this year’s more prominent fonts.

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6. TT Norms Pro


Hailed as a best-selling modern geometric sans, TT Norms Pro has 22 styles ­– 11 upright, 11 italics – and two variable fonts giving unlimited possibilities. It’s a reliable workhorse that will undoubtedly be in every designer’s toolkit in 2020.

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7. Sentinel

vision free font

If you’ve ever wished Clarendons had italics or that your favourite slab serif had a few more weights and was able to look good in small text, then Sentinel by Hoefler&Co is the perfect typeface for you. And it’s a modern slab serif that’s getting a lot of attention in our design community.

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8. Sweet Sans

modern fonts


Mark van Bronkhorst designed Sweet Sans as a tribute to the engraver’s sans serif. It’s a family based on the lettering templates called ‘master plates’ but updated for contemporary use. Not surprisingly, it’s made quite an impression in 2019, and we think it’ll remain a bestseller over the next 12 months.

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9. Univers

Univers was created in 1957 by Adrian Frutiger for Charles Peignot at Deberny & Peignot. A neo-grotesque sans-serif, it was one of the first consistent typeface families and has been quite the popular choice for designers everywhere. Our students loved using this typeface over the last 12 months, and we can see it being a top font in 2020, too.

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10. Brandon Grotesque

logo design font

Influenced by the geometric-style sans serif faces popular in the 1920s and ’30s, Brandon Grotesque is another big prediction for 2020. Designed by Hannes von Döhren, it’s functional with a dash of warmth – and is something our students can’t get enough of. With plenty of weights and italics to choose from, and already pitched as a “modern classic”, we can understand why.

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11. Peignot

A stressed sans-serif, Peignot has almost become a symbol for France and all things French since its launch in 1937. Designed by the poster artist A. M. Cassandre, it mixes capital and lowercase forms in such a pleasing way that it’s no wonder the typeface continues to set trends today.

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12. Mantra

Graphic Design, font

A new and experimental sans-serif typeface, Mantra by Cynthia Torrez is perfect for brand identities, logotype, headline text and captions. So much so, we’ve seen it in many student projects this year.

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13. Minion

Robert Slimbach’s Minion was released in 1990 by Adobe. Inspired by late Renaissance-era type and intended for body text, the serif typeface is popping up in many editorial projects at Shillington. We think it’ll find even more ground in 2020.

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14. Supria Sans

minimal fonts

Another excellent typeface by Hannes von Döhren, Supria Sans is a type system with true italics and true obliques inspired by the practicality of Swiss type design with a more playful slant of subtle curves and fine detailing. Blown up it looks impactful and gorgeous; at smaller sizes, clean and classic. A great option for 2020.

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15. Formula Condensed


This versatile typeface has a bold and racy condensed look with the flexibility of a grotesque. And it’s graphically unique with wide alternates to the uppercase, numerals, and some symbols. We’ve seen a lot of it in 2019 and have a feeling it’s going nowhere anytime soon.

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16. Matrice

A sans-serif display font family in eight weights with matching neutral italics, Matrice is rising up the font charts at Shillington. Supporting over 75 languages and influenced by the Grotesk typefaces developed in the early 20th Century, we can see why it’s a leader. Perfect for branding, logotype, headline text, and caption.

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17. Panama


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36 Outstanding free and premium Fonts for your next project

18. Aeonik


Mark Bloom of Mash Creative has just launched his own foundry, CoType, after years of creating his own font families. We love Aeonik. Described as a “structural workhorse, crafted with mechanical detail”, it’s conceived as a “neo-grotesque with a geometric skeleton” and comes in seven weights and italics, so you can get full use out of the family.


19. NewsSans

NewsSans by Character Type

Content continues to be king. And it’s going nowhere in 2020. Which is why we love Character Type’s latest typeface system, NewsSans. Incorporating no fewer than 90 styles, it allows you to create a varied typographic look, effortlessly ranging from loud and expressive, to subtle and reserved. The large x-height combined with low ascenders and descenders allows for tight and efficient designs. All sharp corners were trimmed off to add character and nuance of extra space.

We especially like how NewsSans’ strokes link humanist curves with ‘American Grotesque’ details and solid square stems. The system contains nine weights from hairline to black, and five widths from compressed to extended, each accompanied by a proper italic. Free trial fonts are available exclusively via


20. Beatrice Display

Beatrice Display by Sharp Type

eatrice is a new kind of typeface by New York foundry, Sharp Type. The family is an exploration of contrast methodologies, combining various aspects from the canon expansionist systems, inverted contrast, and the contrast behaviour of standard sans-serif grotesks.

“These methodologies were dissected and used as cornerstones in building our own system, with the final result landing largely in unexplored territory,” explains Sharp Type. “Built on the foundation of a traditional American Gothic but with tight-as-can-be spacing, the superfamily spans a robust set of weights and includes two optical sizes: a super high-contrast, tightly packed Display cut, as well as a standard low-contrast cut, designed to function beautifully in a wide range of optical sizes.”

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21. Untitled Sans

font 2020
Untitled Sans by Klim. Design by Holt

Brought to you by New Zealand foundry Klim, Untitled Sans is a plain, Neo Grotesk sans validated by the ideas of Jasper Morrison and Naoto Fukasawa’s Super Normal project.

It has the same principles applied to it as its complementary typeface, Untitled Serif, which is drawn from the old-style genre of types: the post-Caslon, pre-Times workhorses offered by almost every metal type foundry of the time. This is a typeface we’re seeing again and again.


22. Gilroy

free Font
Gilroy by Radomir Tinkov

Gilroy is a modern sans serif with a touch of geometry. Designed by Radomir Tinkov, it’s a younger brother of the original Qanelas font family and comes in 20 weights and 10 uprights with matching italics. Rather wonderfully, the Light & ExtraBold weights are free of charge, so you can use them to your heart’s content.


36 Outstanding free and premium Fonts for your next project

23. DIN Next

cool font
DIN Next by Monotype

DIN is that classic typeface you always root for – the one you want to use but just can’t bring yourself to because it’s limited in its range of weights and widths. The century-old design has proven to be timeless, but it needed a modern update. That’s where DIN Next steps nicely in – a versatile sans serif family that will never go out of style.

This classic design turned modern must-have, created by Akira Kobayashi, includes seven weights that range from light to black, each of which has a complementary italic and condensed counterpart. There are also four rounded designs, stretching the original concept’s range and core usability. And there’s a suite of small capitals, old-style figures, subscript, superscript and several alternate characters.

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24. Recoleta

font inspiration
Recoleta by Latinotype

Just like Grandma’s best recipe, Recoleta combines a variety of ingredients – from various popular 1970s typefaces, such as the soft and gentle shapes found in Cooper or the fluid, angled strokes in Windsor, mixed into one single design that features familiar, yet fresh, modern flavours.

Published by Latinotype, its variety of weights provide a range of choices that will help you find the best typographic colour for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. The available stylistic alternates offer a number of different characters that give your logo or business card a unique look.

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25. Fann Grotesque

floral fonts
Fann Grotesque by Colophon

Fann Grotesque by Colophon has upright styles that seem to capture the broader spirit of 19th century British Grotesque, exploring its idiosyncrasies and imperfections. The designs draw inspiration from a number of British type foundries including Stephenson Blake, Day & Collins and Miller & Richard. I’ll give you an example – the floral italics adopt an unusually cursive style for a sans serif, a gesture sparked by a page from a Fann Street Letter Foundry type specimen.

Available in nine weights: Thin, ExtraLight, Light, Book, Regular, Medium, SemiBold, Bold and Black – all with corresponding true italics.

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26. Doyle

Doyle by Sharp Type

Another one to come out of Sharp Type is Doyle, a period piece and “loving synthesis of two iconic styles that became the visual backdrop of a generation”. Taking cues from Lucas Sharp’s ode to Cooper Black drawn from memory and a style reminiscent of ITC American Typewriter to create something entirely new, the coherent family is both structured and loose, with “inky wetness positively brimming with life”.

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27. Albertus Nova

font trends
Albertus Nova by Monotype

Courtesy of Monotype, Albertus Nova is a digital revival of Berthold Wolpe’s earlier design of Albertus. This new design enlarges the typeface set from its previous two weights into a robust set of five ranging from thin to black, all with extended language support including Cyrillic and Greek.

Berthold Wolpe began working on Albertus in 1932, at the encouragement of Stanley Morison. Morison saw an example of Wolpe’s engraved lettering and liked it so much that he commissioned a typeface based on the design. Since then, the original Albertus typeface has been used on book covers, in branding, on signs and in video games. We expect to see a lot more of this font in 2020.

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28. FF Mark

font Design for ui
FF Mark by Monotype

Created in 2013 by German type designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department, FF Mark contains 10 weights from Hairline to Black and is ideally suited for film and TV, advertising and packaging, editorial and publishing, logo, branding, music and nightlife, software and gaming, sports as well as web and screen design. It also comes with a complete range of figure set options – old-style and lining figures, each in tabular and proportional widths.

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36 Outstanding free and premium Fonts for your next project

29. TT Norms Pro

Font Design
TT Norms Pro by TypeType

Considered to be one of bestselling geometric sans ever released, TT Norms Pro is a reliable workhorse. With classic type character proportions, the designers (Ivan Gladkikh, TypeType Team and Pavel Emelyanov) have given us eleven weights and eleven corresponding italics, two variable fonts, small capitals, stylistic alternates, ligatures, and broad support of OpenType features. This is a family that can be easily adapted for different purposes. TT Norms Pro works equally well in large text arrays and in small headings, and it is “the one” universal geometric grotesk.

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30. Coign

Coign by Colophon

Coign by Colophon is an extensive study of condensed forms based on the DeLittle type foundry’s Elongated Sans. “DeLittle’s type challenges conventional letterforms, pushing the notion of what is ‘condensed’ to the absolute limit,” says the foundry. “A quoin, Coyne, coigne or, in this case, Coign, is a wedge-like device used in letterpress printing to lock type and spacing material into place within a chase or directly onto a press.

“Combining the systematic approach of Adrian Frutiger’s Univers and the eccentricities of 19th and 20th-century wood type, Coign offers a vast range of condensed styles that explore how the relationship between counter form and letterspacing can alter the expression and texture of type.”

Super condensed designs are typically limited to a small range of styles as part of a much larger family, but Coign offers 28 styles with seven weights in four different widths – all of them super condensed. It’s no wonder this font is proving a hit.

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31. Neue Haas Grotesk

Neue Haas Grotesk by Monotype

The first weights of Neue Haas Grotesk were designed in the late 1950s by Max Miedinger with input from Eduard Hoffmann. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The typeface was soon revised and released as Helvetica by Linotype AG.

As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal line casters, Linotype Helvetica was in some ways a radically transformed version of the original. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. And in the 1980s Neue Helvetica was produced as a rationalised, standardised version.

Designer Christian Schwartz later released a digital revival of Neue Haas Grotesk, marking an opportunity to set history straight. “Much of the warm personality of Miedinger’s shapes was lost along the way. So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type).”

Schwartz’s revival was originally commissioned in 2004 by Mark Porter for the redesign of The Guardian, but not used. Schwartz completed the family in 2010 for Richard Turley at Bloomberg Businessweek. Its thinnest weight was designed by Berton Hasebe.

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32. Harriet

Harriet by Okay Type
by Okay Type

Harriet is a serif typeface brought to you by Okay Type. It’s sort of a contemporary reimagining of Baskerville with a dash of Scotch Roman. A versatile family, it has two optical sizes and a range of weights. The display styles are exuberant enough to sparkle at large sizes, while the text styles are more restrained, with a sturdiness more appropriate for everyday use.

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33. Avenir Next

Font For UI Design
Avenir Next by Linotype

Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. A new take on a classic, it’s an expansion of the original concept that takes the font to the next level.

As well as the standard styles ranging from ultra-light to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off-screen readability at any size alongside heavyweights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike.

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36 Outstanding free and premium Fonts for your next project

34. Nib

Font for UI Design
Nib by Colophon
Although Nib was originally triggered by a stone carving Dries Wiewauters spotted in Denmark, the final family is a blend of multiple influences. Initially developed for the Museum of Fine Arts in Ghent, Belgium – in close collaboration with Ruud Ruttens, the head of their design department – Nib is now available for licensing.Both the serifs and idiosyncratic overhanging forms such as the «f», «j» and «y» give it an elegant, yet eccentric quality. There are multiple different gestures occurring, some based on calligraphy, others from stone-carving. But together they create a symbiosis that balances many opposite qualities. “Nib strives to be both friendly and aggressive in the same moment, thus allowing it to be moulded and applied to a wide range of contexts,” explains Colophon, the foundry behind the type family, which is available in five weights (Light, Regular, Semibold, Bold, and Black) with corresponding italics.DownloadFont

35. Silk Serif

Silk Serif by SilkType

Rakel Tómasdóttir is the person behind Silk Serif, a high-contrast typeface with thin, pointy, heavily bracketed serifs, and ball terminals in the appropriate places, as well as bracketed junctions in various letterforms. The main feature of this delicate and legible typeface is the disconnection between the bowls and the stems. However, the bowl is very close to the stem, creating the illusion of connection. A sophisticated choice for your projects.

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36. Visuelt

30 Great Free Fonts
Visuelt by Colophon

Originally created as a bespoke typeface for the 2013 and 2014 identity of design conference and competition Visuelt (Oslo, Norway) – also known as the National Norwegian Design Awards – this typeface spawned from a more considered and constrained version of Aperçu. “From its initial roots and underlying aesthetic, new details were brought in to remove some of the more distinguishable features of Aperçu to make way for a new tone of voice and trajectory,” explains Colophon Foundry.

“We revised and revisited the typeface and produced additional weights to accompany the pre-existing Regular. The Lightest of these weights took on thin precise curves, whereas the heaviest weight counters were opened and sharp terminal ends chiselled to provide small technical details to an otherwise brut-ish and heavy face.”

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100 Greatest Free Fonts for 2020

A great collection for New Year 2020, 100 greatest free fonts gift for you. Fonts are used to add an appeal to your design and to your brand to attract potential customers. For our ease, there are numerous fonts available to download for free on the internet. The ideal font will make reading easy when used for a paragraph, even when it is read from a certain distance. The words, characters, and the overall text must deliver the message that it wants to deliver. Furthermore, the right texture and color also play a vital part when using a font. Fortunately, the greatest free fonts for 2020 are available to you that can fulfill all of your font needs.

We hope these fonts are very helpful for you to create amazing typography, web and design projects in 2019. Please enjoy and let us know your thoughts on this great collection. 

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Gillde is one of the best graphic design resources website to download highest quality fonts, freebies, web and graphic design resources like vector graphics, mockupsPSD graphics, UI design elements and much more. In this collection, you will find Hundreds of Greatest Free Fonts. You can never have enough fonts – and if you’re feeling this is a great article, so please share it with your friends. Thanks


1. Visually Script Free Font

Visually Script Free Font Font

Free Fonts for 2020


2. Good Brush Free Font

Good Brush Free Font Font


3. American Lemon Font Duo Free Font

merican Lemon Font Duo Free Font Font


4. Marlena Free Font

Marlena Free Font Font


5. Shathika Free Font

Shathika Free Font Font


6. Snowpe Script Free Font

Snowpe Script Free Font Font


7. Rampage Kid Free Font

Rampage Kid Free Font Font


8. James Stroker Handwriting Script Free Font

James Stroker Script Free Font Font


9. Olivia Dhorgent Script Free Font

Olivia Dhorgent Script Free Font Font


10. Belgian Signature Free Font

Belgian Signature Free Font Font


11. Seconds Rough Brush Script Free Font

Seconds Rough Brush Script Free Font Font


12. Destiny Free Signature Font

Destiny Free Signature Font Font


13. Sun Catcher Handwritten Script Free Font

Sun Catcher Script Free Font Font


14. Tomato Soup Free Script Font

Tomato Soup Free Script Font Font


15. Ketika Free Font

Ketika Free Font Font


16. Nightcall Script Free Font

Nightcall Script Free Font Font


17. Maghody Script Free Font

Maghody Script Free Font Font


18. Mountecarlo Monoline Free Script Font

Mountecarlo Free Script Font Font


19. Welcome 2019 Font Free Font

Welcome 2019 Font Free Font Font


20. Argentina Script Free Font

Argentina Script Free Font Font


21. White Angelica Free Font

White Angelica Free Font Font


22. Dattebayo Free Signature Font

Dattebayo Free Signature Font Font


23. Aladina Free Font

Aladina Free Font Font


24. Outlander Brush Script Free Font

Outlander Brush Script Free Font Font


25. Rembank Script Free Font

Rembank Script Free Font Font


26. Hey August Free Font

Hey August Free Font Font


27. East Liberty Thin Signature & Sans Free Font

East Liberty Thin Free Font Font


28. Ariana Violeta Free Font

Ariana Violeta Free Font Font


29. Shears Script Free Font

Shears Script Free Font Font


Free Fonts for 2020

30. Rachael Script Free Font

Rachael Script Free Font Font


31. Helio Handwritten Brush Free Font Free Font

Helio Handwritten Brush Free Font Font


32. Hey October Brush Free Font

Hey October Brush Free Font Font


33. Hello Vintage Free Font Free Font

Hello Vintage Free Font Free Font Font


34. THRONE Free Font Free Font

THRONE Free Font Free Font Font


35. Belley Script Brush Free Font

Belley Script Brush Free Font Font


36. Rastazm Script Free Font

Rastazm Script Free Font Font


37. Fonters Free Font

Fonters Free Font Font


38. Wandertucker Free Font

Wandertucker Free Font Font


39. Grandfather – Brush Script Free Font

Grandfather – Brush Script Free Font Font


40. Abuget Brush Free Script Font

Abuget Brush Free Script Font Font


41. Sinistral Brush Free Font

Sinistral Brush Free Font Font


42. Hey November Brush Free Font

Hey November Brush Free Font Font


43. Bigbone Free Script Font

Bigbone Free Script Font Font


44. Nikora Brush Free Font

Nikora Brush Free Font Font


45. Jason Statan Brush Free Font

Jason Statan Brush Free Font Font


46. Brilliant Brush Free Font

Brilliant Brush Free Font Font


47. Breakyna Free Handmade Brush Font

Breakyna Free Handmade Brush Font Font


48. Rogeu Free Brush Font

Rogeu Free Brush Font Font


49. Fusterd Brush Free Font

Fusterd Brush Free Font Font


50. Sumi Free Brush Font

Sumi Free Brush Font Font


51. Soviet League Free Condensed Font

Soviet League Free Condensed Font Font


52. Scotland Display Free Font

Scotland Display Free Font Font


53. Renesnip Sans Free Font

Renesnip Sans Free Font Font


54. Tambau Beta Free Font

Tambau Beta Free Font Font


55. Krisha Free Font

Krisha Free Font Font


56. BALTAZAR Blackletter Free Font

BALTAZAR Blackletter Free Font Font


57. Banret Free Condensed Font

Banret Free Condensed Font Font


58. Architectural Free Condensed Font

Architectural Free Condensed Font Font


59. Fulbo Free Font

Fulbo Free Font Font


60. BraceLine Free Font

BraceLine Free Font Font


61. Longfont Free Font

Longfont Free Font Font


62. Chillvornia Stamp Free Font

Chillvornia Stamp Free Font Font


63. Abraham Free Font

Abraham Free Font Font


64. Lazar 1389 Free Font

Lazar 1389 Free Font Font


65. Delbert Sketch Free Font

Delbert Sketch Free Font Font


66. Tele Brush Free Font

Tele Brush Free Font Font


67. Chappa Free Font

Chappa Free Font Font

Free Fonts for 2020


68. Balox Free Font

Balox Free Font Font

Free Fonts for 2020


69. Masquerouge Victorian Style Free Font

Masquerouge Victorian Style Free Font Font

Free Fonts for 2020


70. Marisole Condensed Free Font

Marisole Condensed Free Font Font


71. Hynings Handwriting Free Font

Hynings Handwriting Free Font Font


72. Monoround Free Font

Monoround Free Font Font


73. Typolino Free Font

Typolino Free Font Font


74. Oligopoly Free Font

Oligopoly Free Font Font


75. Thinoo Modern Sans Serif Free Font

hinoo Modern Sans Serif Free Font Font


76. Jomohand Free Font

Jomohand Free Font Font


77. Aqum Geometric Rounded Sans Serif Free Font

Aqum Geometric Sans Serif Free Font


78. CookieRun Free Font

CookieRun Free Font Font


79. Cobaissi Serif Free Font

Cobaissi Serif Free Font Font


80. Magnies – Minimal Serif Free Font

Magnies – Minimal Serif Free Font Font


81. Zews Modern Free Typeface

Zews Modern Free Typeface Font


82. Vaderlands Vintage Free Font

Vaderlands Vintage Free Font Font


83. Disket Mono Free Typeface

Disket Mono Free Typeface Font


84. Camar Vintage Free Font

Camar Vintage Free Font Font


85. Genuine Type Free Font

Genuine Type Free Font Font


86. Neothic Free Font

Neothic Free Font Font


87. Foerte Free Font

Foerte Free Font Font


88. Xanthie Free Font

Xanthie Free Font Font


89. Copenhagen Grotesk Nova Free Font

Copenhagen Grotesk Nova Free Font Font


90. Abingdon Free Font

Abingdon Free Font Font


91. Loki Sans Serif Script Free Font

Loki Sans Serif Script Free Font Font


92. Planck Narrow Monospace Free Font

Planck Narrow Monospace Free Font Font


93. Senda Custom Stencil Free Font

Senda Custom Stencil Free Font Font


94. Shadow Stripes Vintage Free Font

Shadow Stripes Vintage Free Font Font


95. LEFTONADE Free Font

LEFTONADE Free Font Font


96. SK Lorenzo Free Font

SK Lorenzo Free Font Font


97. MO SALAH Free Font

MO SALAH Free Font Font


98. Kubos Free Font

Kubos Free Font Font


99. Blueno Chocolate Free Font

Blueno Chocolate Free Font Font


100. Onelove Calligraphy Script Free Font

Onelove Calligraphy Script Free Font